Secret European Studio

Curated by Paul Carey-Kent 

 

PRivate view : Thursday 7 juLY

exhibition runs from 08 -30 July 2016

Alzbeta Jaresova  Czech Republic

Nadege Meriau  France

Willem Weissman  Netherlands

TROIKA : Eva Rucki  Germany

                 Conny Freyer  Germany

                 Sebastien Noel  France

Simona Brinkmann  Italy

Carlos Noronha Feio  Portugal

click on images for details and to enlarge

London’s art scene benefits from an international outlook, much of which comes from the presence of European artists. Yet that’s doubly threatened: first, by the forthcoming referendum, which risks reducing artists’ ease of access; and, whatever the vote, by the increasing difficulty of finding living and studio space in the capital – a problem, of course, for all artists. ‘Secret European Studio’ celebrates the diversity of the London art scene by focusing on what’s being made by artists who’ve come from EU countries to live here. Carlos Noronha Feio (Portugal) makes paintings which seek abstract equivalents for the power structures implicit in colonialist world views, and also sets the show’s soundscape as he reflects on what ‘Universism’ might be;  Alzbeta Jaresova (Czech Republic) puts her figures into tense psychological relationships with transparent yet unfathomable versions of London’s infrastructure; Simona Brinkmann (Italy) uses metal and foam-padded leather to form half-fetishistic, half-architectural objects which suggest shifting boundaries private and public; Willem Weissman (Netherlands) seems to mock both dystopia in general and the putative death of painting in particular

in his colourful cartoon-tinged tableaux; Franco-German collective TROIKA bring sublimity to trauma as they draw intricate webs of lightning, and run a smoke bomb through a labyrinthine maze; and Nadege Meriau (France) lets snails and mushrooms impose their own dark logics on her photographic underworld. Maybe that’s how it it’s all set to end in a post-Brexit twilight. Meantime, the works emerging from these Secret European Studios cohere in a darkly intelligent overview of where we are now – and we wouldn’t want to be without that…  We should vote to stay in the EU, and then adjust planning rules to make it easier for artists to find the space to tell us – a little more optimistically, perhaps – how they see the world.

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